A Theory of Paradise Imbedded in Reality: poem by Douglas L. Talley
- cmbharris
- Sep 19
- 2 min read

shoreline, image by njbateman526, on Pixabay, slightly modified
A Theory of Paradise Imbedded in Reality
Something in nature struggles for reality,
an island off the coast of Belize, no less,
where water stretches deep blue for miles
well beyond a salt and pepper sand
to speak the notion of distant paradise.
The island only cares to be an island
with the sturdy British name of Bannister
and cares only to remain just an island
with no pretense whatsoever of paradise,
not in a name that smells of handrails,
nor in the shadows of cloud laid out
flat black on the waters like an oil spill.
Yet something in the easy, easy task
to be and remain only what already is
will still defy acceptance of reality.
How the mind insists on paradise
instead, the fanciful and euphoric.
On an island with no ambition beyond
a flat of sand, a single grackle whistles
from the crown of a coconut palm
and grows so lost in the tree’s foliage
and swollen green fruit, so completely
blurred into the halo of the sun’s aura,
the bird disappears altogether into song.
One sees only light, hears only voice,
and wants now to name the apparition
“Cherubim” with a flaming sword
to guard the way of the Tree of Life.
But paradise? In the old story such
a paradise never managed to hold
more than two souls, both innocent
and sinless, with the woman restless
for an understanding of good and evil
and the man content to remain content
with a steady diet of figs and mangos.
With change came naked reality,
a window into the soul of another,
but a window with a blind often drawn,
or even shut, paradise not lost but
buried in the soul, paradise waiting
to be found in what is, with nothing
hidden, nothing, as the Nazarene
proposed, that time will not reveal.
The true nature, for instance, of this
ocean island and the grackle’s easy
song hides in a salt and pepper sand once
called “a mere spit of mud in the ocean.”
Perhaps a theory of any earthly paradise
centered in a primordial garden can only
begin in the presence of two alone, achieved
in simple conversations and gestures of give
and take, like an ocean’s correspondence
with the shoreline. When the tide pulls
something of this earth into its soul—
the scrabble of a few shells, a wash of sand,
a strand of seaweed—the waters only return
in purity after lifting and distilling skyward
first, then restoring again with rainfall some
trace of heaven to the shore, a state of mind
in a drift of song for two and two alone.
Scripture reference: Luke 8:17
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Douglas Talley has BFA and MFA degrees in creative writing and a JD degree. His poems
and essays have appeared in various journals, including The American Scholar, Cimarron Review, and Christianity and Literature. As a lawyer, he
has advocated various environmental and social justice causes, including the recovery of Jewish assets confiscated by Nazis during World War II. Presently, he leads a writers’ workshop for inmates in a women’s prison.
September 2025 issue




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