an ode to essence: three poems by Olga Dugan
- cmbharris
- Sep 19
- 3 min read

a young ballerina, image by sobima, on Pixabay
Three poems inspired by the life of prima ballerina Marta Cinta.
an ode to essence
(for Susan)
falsified documents display several
names, hide from where I come
Rosamunda, Marta Cinta, Marta
González Saldaña from Cuba? Madrid?
but my therapist knows me—
the terpsichorean linked by music
to surroundings, mood
transforming ironclad discipline
physical pain, competitiveness
with no mercy
to flexibility
elegance, an ear that makes
feet, legs, hands, curved arms, joints
of spirit, joints of soul move
makes my body easier to turn into lines
textural patterns of allegories for
loneliness or connection, makes its
tender image lay bare the rawest emotions
pouring through my skin like water
he entreats me to speak the dancer’s
language to Songs of the Swan and I try
whited hair, whited face, whited
palms lifting whited fingers
skillfully extended from whitest wrists
I stir then cease until his kiss on a
limped hand excites withered strength
bringing attitude, memories
thoughts, worlds to awareness, to core
as I raise arms outward with a soft
gentle reach for love over curse
________
an ode to essence: restoration
born again from Spirit and water
the dancer rises on the lake
lucent swan to woman of light
I’m her in flight off sea surface
pushing with toes, legs jumping
through thin air to times gone by
when I was an impossible, a dream
audiences applauded in theaters
around the world, whose talent
the press surrendered to
prima ballerina gracefully moving
vibrant eyes agaze, fluttering hands
arms in elegant arcs as the orchestral
brass intensifies, blending resilience
hope with the mental, moral qualities
glowing through this essence unbound
by age, unafflicted by wheelchair, disease
my therapist speaks to the artist, Marta
and I with majestic poise reply, you excite me
he smiles, you excite us... dancing so well
I smile too, parting palms that shake now
and pat his so loving face
for a moment he helped me share what binds
flowers—Black-Eyed Susan, Arabette, Lily
Columbine, wildest Peony—this perennial
right to rival graceful rivulets of stars at play
carry in cheek the days of goodness
in brow, a peaceful mind among others
relaxing hands over paraplegic knees now
what most would sadly see as demented
decrease of emotional, physical response
turnoff of natural fight or flight
is only my inspirited woman revived / safe
pacing across holy ground past cognitive skin
past sighted corners of dulling eyes
to lie down, eternally restored, at the water
_________
an ode to essence: victory
the sun has a few hours before setting
after our daily activities, we’re allowed
a short break out here where music
plays in songs of gold leaves, rhythmic
skylines, buildings like xylophone keys
struck by blue warmth and the syncopated
beat of afternoon air that lifts and lands past
dizziness, hallucinations, afflicted memory
music—my therapist joins me, possibility
glinting his shadow against the railing—
it speaks in assemblage of body in motion
allowing us to hear what we cannot
say or see, gestures maneuvers continuous
evidence of all we offer to make ourselves
understood, I love what you wish to do
and he leans on a wall near the open door
its dance, I gather nerve to tell the others
explaining my dream of doing ballet in our
nursing home with the elderly for whom
hearing, moving to music remain the last
capabilities we still have, in dance
full of emotion, full of color, we elevate
to what makes poetry, the best of eternity
God has placed in us, every adagio claims
peace over unrest, every jeté sustains us along
the dark walk of not knowing, every pirouette
to plié encourages joy that revives hope—secret
contentment with the little we keep losing
most choose to wattle into a good night
oblivious to storms falling around us
they snark at my words, just foolishness, they say
and leave us under the tender evening, while
a remnant thinks of making lines, curves, springs
challenges to live giving breath to the untouchable
the self—neither fog nor forgetting can truly erase
if only for the moment a right step brings the
me who’s left when the lot else is gone


Olga Dugan’s award-winning poems have been nominated for Best of the Net and Pushcart prizes. A Cave Canem Fellow, Olga’s work appears in many literary journals and anthologies, including Inkwell (formerly Ekstasis), Lived In, Litmosphere, The Write Launch, Spirit Fire
Review, Reformed Journal, The Sunlight Press, Ariel Chart, Relief, The Windhover, Channel (Ireland), Kweli, Sky Island Journal, evolution:
The Red Moon Anthology of English-Language Haiku, Munster Literature Centre's Poems from Pandemia, and others.
September 2025 issue




Comments